Jieho Lee, the director aims to do an Inarittu. Though this is no 'Babel', the cast he has marshaled is a very good one. Dealing with interconnectedness and human emotions (there are four episodes titled hope, love, sorrow & pleasure) Lee exhibits his high ambitions and takes his story very seriously. Unfortunately, the stories aren't strong enough to tie the viewer to the characters.
Brendan Fraser's chapter is intriguing, one scene in particular: he is a hitman, but his success is attributed to his vision - he sees what's going to happen before it happens. This ability of his has drained all of his interest in living as he doesn't know what it means to be uncertain. Then comes a day when his vision fails and he gets badly beaten in a gang fight. He doesn't resist, he enjoys getting thrashed for it symbolizes the first day of the rest of his new life.
Brendan Fraser's chapter is intriguing, one scene in particular: he is a hitman, but his success is attributed to his vision - he sees what's going to happen before it happens. This ability of his has drained all of his interest in living as he doesn't know what it means to be uncertain. Then comes a day when his vision fails and he gets badly beaten in a gang fight. He doesn't resist, he enjoys getting thrashed for it symbolizes the first day of the rest of his new life.
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